Van Thiel, Helmut, Scholia D in Iliadem, (Köln: Universitäts- und Stadt Bibliothek, 2014), p. 485. [Source can be found here: https://kups.ub.uni-koeln.de/5586/].
In my previous post I mentioned this fragment from Homer’s scholia (thanks again for the help).
It is an interesting fragment, as it is the first non-Biblical and non-Mesopotamian mention of a dove (or any bird) in relation to the flood hero I’ve found (not including Berosus).
But it gets better (or worse?).
The text mentions Deucalion consults (ἐμαντεύεντο) an oak/oak oracle (δρυΐ), and the oracle (χρησμός) is then given to him by a dove (πελειάδος).
Question: this seems to imply a talking dove, unless the oracle is non-verbal? Could that be the case?
And then a step further down the rabbit hole:
In Euripides, Cyclops, line 615, Odysseus uses an oak branch (δρυὸς) to poke out the cyclops’ eye. But a little earlier, in line 455, he plans to use an olive branch (ἀκρεμὼν ἐλαίας). This is commonly translated as an olive-stake, possibly to harmonize with the oak branch mentioned later.
Question: does anyone know more about the traditions surrounding the kind of wood Odysseus used, or perhaps if olive and oak wood are ever confused or conflated elsewhere?
Ps. the LXX uses περιστερά for “dove” and the “fresh olive branch” is described as a φύλλον ἐλαίας κάρφος, so the connection isn’t very strong on the word level.
Yes he did, and yes I remember correcting it. Somehow I copied an old version
I’ll have to find a high-schooler to read over all my text one of these days…
Indeed I do. Great secondary source, but a little older and he doesn’t refer as consistently to primary sources as I’d like. I got a few others like him as well.
῾172 Δωδωνι: as if from a nominative Δωδών, which is not attested, cf. fr. 455 P&R Δωδώνι ναίων Ζεύς. The common form is Δωδώνη, hence the Latin Dodona.
δισσών έκ πελειάδων: a major problem centres round this phrase: see Jebb’s Appendix, 203-7 and the scholiast’s long note. Doves were traditionally associated with Dodona, both in stories of its foundation, and in some accounts of the oracular responses, cf. Hdt. 2.54-5. Parke (ch. III) inclines to the view that in the early period of Dodona’s history real doves inhabited the sacred oak and their calls were interpreted along with the rustling of the tree as divine utterances.
Late sources, e.g. Pausanias (10.12.10), record that the priestesses of Dodona were called Πελειάδες; this is how most editors take Soph.’s words here, αὐδῆσαι ἐκ would appropriately express the idea of the oak speaking ‘from the mouths’ of the priestesses. But Parke could be right in suggesting that Soph, deliberately used a vague phrase ‘which by its ambiguity allowed the hearer also to take the more obscure meaning that the oracle had been conveyed by birds’ (63). We have no means of telling how precise was Soph.’s information about the practices at Dodona. Elsewhere he mentions ‘the prophetic priestesses of Dodona’ (fr. 456 P&R), but human interpreters were needed whatever the oracular source. At Dodona the interpreters were first priests (the Selloi, cf. 1 i66n.), later priestesses, two or three in number.῾
(Sophocles, Trachiniae - P. E. Easterling: Sophocles, Trachiniae. (Cambridge Greek and Latin Classics.),Cambridge University Press, 1982. )
I like Parke’s suggestion here. I would caution against trying to be too literal. Davies doesn’t add much (I found much of his commentary unreadable when I studied this play.)
Δωδῶνι δισσῶν ἐκ πελειάδων: The oak in Dodona of Thesprotia, sitting upon which two doves (περιστεραί) prophesied, as if from the nominative Δωδών, like Πλευρών. Homer said Δωδώνην (Δωδώνη nom.).
On the same: Above the oracle in Dodona are two doves (πέλειαι), through which Zeus prophesied like Apollo from a tripod. Some say that they foretell in one way, others another, the priestesses being old woman. For the Molossoi name their old people “πολιοί (gray/venerable)”. Herodotus says in book B: “<what I quoted above, see Perseus>”. Euripides says there are three, others two. And that one came to Libya from Thebes for the oracle of Ammon, the one about Dodona, as in the Paeans of Pindar.